The telling
1897
An orphanage in Virginia City
Sunday evening. Sister Maria gathers the orphans in her care, and the groundskeeper takes his place at the old piano.
“Today I will tell you the story of a boy, a priest and a demon.”
Sr. Maria
Western · Musical · Supernatural
The only priest in Nevada battles demons and outlaws for the soul of a boy with no name.
Coming Late 2026
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A supernatural Western musical set in Virginia City, Nevada, and filmed entirely in South Dakota. Cinematography by Aaron Berger.
A story inside a story
The telling
1897
An orphanage in Virginia City
Sunday evening. Sister Maria gathers the orphans in her care, and the groundskeeper takes his place at the old piano.
“Today I will tell you the story of a boy, a priest and a demon.”
Sr. Maria
The story she tells
1867
Virginia City, Nevada
Thirty years earlier, in the boom town silver had made the most important city between Denver and San Francisco — and in the whole state of Nevada, one priest.
Wyatt Earp with a collar
Loosely based on Father Patrick Manogue — the only priest in the state of Nevada, who earned a reputation as “Wyatt Earp with a collar.” Feared by disreputable men, loved by everyone he helped.
The story began life on stage, and was so well received it had to be turned into a movie. It is part of a trilogy, each story set one hundred years apart.
The film seeks to answer a question:
What is your name?
Key credits
Filmed entirely in South Dakota
Set in Virginia City, Nevada, built and shot entirely in South Dakota. Five sequences that set the shape of the picture.
01
The production opened on the most demanding sequence in the script — the hardest passage in the film technically and emotionally, and the first thing an audience sees. It was shot first, and shot until it was right.


02
A single frame carries the whole picture: beauty and violence in the same light. It is the image the production returned to whenever a decision needed settling.


03
Twenty child actors in a period-accurate schoolroom, reciting verse. The production built the sequence around them, and it became the warmest passage in a film that spends much of its time in the dark.


04
From that classroom the picture turns: a presence in a barn that should not be there. The tonal distance between those two sequences is the film in miniature — and the reason it needed a musical to hold it together.


05
Clear skies, sixty degrees, and a horse named “Hollywood.” The last frames of principal photography, and the widest the film ever breathes.


From the set
Behind-the-scenes photography by Ryan McBoyle.
Stay close
His Name is Michael arrives late 2026. One email when there is a date, a trailer, or a screening near you.
Follow the film as it comes.
@hnimfilm